They add slight vibrato and expand the sound. It changes the overall timbre of the instrument! Therefore you get more sophisticated and real sound, because when playing live, musicians don't just turn the volume. However, the crossfade not only changes dynamics in terms of volume. As if you have grabbed the remote control of your TV and you're turning your volume up or down. The thing that CC#11 (expression) and CC#7 (volume) do is that they only change the volume of a single sample. So, the difference is hurting our ears now. Did you hear the difference? If not, listen to this: The first recording is controlled with CC#11 (expression) only and the second one is a crossfade patch, controlled with subtle CC#11 and CC#1 (mod). Johnson, the EastWest/Quantum Leap Symphonic Orchestra was recorded in a 'state of the art' concert hall where orchestras mainly perform. In this particular example we have some violins playing a G. Recorded by 11-time Grammy nominated classical recording engineer Prof.
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Your browser does not support the audio tag. Plus second mic position for all orchestral/choir/piano libraries. Recorded by 11-time Grammy nominated classical recording engineer Prof. So what's the difference between an ordinary violin patch, which is controlled with CC#11 and a DXF patch, controlled with CC#1? Let's hear for ourselves: